A vertically-mounted black disk with a concentric pattern of reflective disks is illuminated under a red light. A large number of copper wires run away from the the disk to a breadboard.

Deforming A Mirror For Adaptive Optics

October 13, 2025 by Aaron Beckendorf 16 Comments

As frustrating as having an atmosphere can be for physicists, it’s just as bad for astronomers, who have to deal with clouds, atmospheric absorption of certain wavelengths, and other irritations. One of the less obvious effects is the distortion caused by air at different temperatures turbulently mixing. To correct for this, some larger observatories use a laser to create an artificial star in the upper atmosphere, observe how this appears distorted, then use shape-changing mirrors to correct the aberration. The physical heart of such a system is a deformable mirror, the component which [Huygens Optics] made in his latest video.

The deformable mirror is made out of a rigid backplate with an array of linear actuators between it and the thin sheet of quartz glass, which forms the mirror’s face. Glass might seem too rigid to flex under the tenth of a Newton that the actuators could apply, but everything is flexible when you can measure precisely enough. Under an interferometer, the glass visibly flexed when squeezed by hand, and the actuators created enough deformation for optical purposes. The actuators are made out of copper wire coils beneath magnets glued to the glass face, so that by varying the polarity and strength of current through the coils, they can push and pull the mirror with adjustable force. Flexible silicone pillars run through the centers of the coils and hold each magnet to the backplate.

A square wave driven across one of the actuators made the mirror act like a speaker and produce an audible tone, so they were clearly capable of deforming the mirror, but a Fizeau interferometer gave more quantitative measurements. The first iteration clearly worked, and could alter the concavity, tilt, and coma of an incoming light wavefront, but adjacent actuators would cancel each other out if they acted in opposite directions. To give him more control, [Huygens Optics] replaced the glass frontplate with a thinner sheet of glass-ceramic, such as he’s used before, which let actuators oppose their neighbors and shape the mirror in more complex ways. For example, the center of the mirror could have a convex shape, while the rest was concave.

This isn’t [Huygens Optics]’s first time building a deformable mirror, but this is a significant step forward in precision. If you don’t need such high precision, you can also use controlled thermal expansion to shape a mirror. If, on the other hand, you take it to the higher-performance extreme, you can take very high-resolution pictures of the sun.

A magnifying glass is seen behind a small tea candle. The magnifying image is projecting the shadow of a column of heated air.

Finding Simpler Schlieren Imaging Systems

October 6, 2025 by Aaron Beckendorf 3 Comments

Perhaps the most surprising thing about shadowgraphs is how simple they are: you simply take a point source of light, pass the light through a the volume of air to be imaged, and record the pattern projected on a screen; as light passes through the transition between areas with different refractive indices, it gets bent in a different direction, creating shadows on the viewing screen. [Degree of Freedom] started with these simple shadowgraphs, moved on to the more advanced schlieren photography, and eventually came up with a technique sensitive enough to register the body heat from his hand.

The most basic component in a shadowgraph is a point light source, such as the sun, which in experiments was enough to project the image of an escaping stream of butane onto a sheet of white paper. Better point sources make the imaging work over a wider range of distances from the source and projection screen, and a magnifying lens makes the image brighter and sharper, but smaller. To move from shadowgraphy to schlieren imaging, [Degree of Freedom] positioned a razor blade in the focal plane of the magnifying lens, so that it cut off light refracted by air disturbances, making their shadows darker. Interestingly, if the light source is small and point-like enough, adding the razor blade makes almost no difference in contrast.

With this basic setup under his belt, [Degree of Freedom] moved on to more unique schlieren setups. One of these replaced the magnifying lens with a standard camera lens in which the aperture diaphragm replaced the razor blade, and another replaced the light source and razor with a high-contrast black-and-white pattern on a screen. The most sensitive technique was what he called double-pinhole schlieren photography, which used a pinhole for the light source and another pinhole in place of the razor blade. This could image the heated air rising from his hand, even at room temperature.

The high-contrast background imaging system is reminiscent of this technique, which uses a camera and a known background to compute schlieren images. If you’re interested in a more detailed look, we’ve covered schlieren photography in depth before.

Thanks to [kooshi] for the tip!

Light Transport And Constructing Images From A Projector’s Point Of View

August 7, 2025 by Lewin Day 6 Comments

Imagine you have a projector pointing at a scene, which you’re photographing with a camera aimed from a different point. Using the techniques of modelling light transport, [okooptics] has shown us how you can capture an image from the projector’s point of view, instead of the camera—and even synthetically light the scene however you might like.

The test scene used for the explanation of the work.

The concept involves capturing data regarding how light is transported from the projector to the scene. This could be achieved by lighting one pixel of the projector at a time while capturing an image with the camera. However, even for a low-resolution projector, of say 256×256 pixels, this would require capturing 65536 individual images, and take a very long time. Instead, [okooptics] explains how the same task can be achieved by using binary coded images with the projector, which allow the same data to be captured using just seventeen exposures.

Once armed with this light transport data, it’s possible to do wild tricks. You can synthetically light the scene, as if the projector were displaying any novel lighting pattern of your choice. You can also construct a simulated photo taken from the projector’s perspective, and even do some rudimentary depth reconstruction. [okooptics] explains this tricky subject well, using visual demonstrations to indicate how it all works.

The work was inspired by the “Dual Photography” paper published at SIGGRAPH some time ago, a conference that continues to produce outrageously interesting work to this day.

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19th Century Photography In Extreme Miniature

June 29, 2025 by Bryan Cockfield 10 Comments

Ever since the invention of the microscope, humanity has gained access to the world of the incredibly small. Scientists discovered that creatures never known to exist before are alive in an uncountable number in spaces as small as the head of a pin. But the microscope unlocked some interesting forms of art as well. Not only could people view and photograph small objects with them, but in the mid-nineteenth century, various artists and scientists used them to shrink photographs themselves down into the world of the microscopic. This article goes into depth on how one man from this era invented the art form known as microphotography.

Compared to photomicroscopy, which uses a microscope or other similar optical device to take normal-sized photographs of incredibly small things, microphotography takes the reverse approach of taking pictures of normal-sized things and shrinking them down to small sizes. [John Benjamin Dancer] was the inventor of this method, which used optics to shrink an image to a small size. The pictures were developed onto photosensitive media just like normal-sized photographs. Not only were these unique pieces of art, which developed — no pun intended — into a large fad, but they also had plenty of other uses as well. For example, since the photographs weren’t at all obvious without a microscope, they found plenty of uses in espionage and erotica.

Although the uses for microphotography have declined in today’s digital world, there are still plenty of unique pieces of art around with these minuscule photographs, as well as a bustling collector culture around preserving some of the antique and historical microphotographs from before the turn of the century. There is also similar technology, like microfilm and microfiche, that were generally used to preserve data instead of creating art, although plenty of these are being converted to digital information storage now.

Projector on left with red arrow pointing towards object, another red arrow points towards a piece of paper and then camera.

Pictures From Paper Reflections And A Single Pixel

June 29, 2025 by Ian Bos 26 Comments

Taking a picture with a single photoresistor is a brain-breaking idea. But go deeper and imagine taking that same picture with the same photoresistor, but without even facing the object. [Jon Bumstead] did exactly that with compressed sensing and a projector. Incredibly, the resulting image is from the perspective of the projector, not the “camera”.

This camera setup is very similar to one we’ve seen before, but far more capable. The only required electronics are a small projector and a single photodiode. The secret sauce in this particular design lies in the pattern projected and the algorithm to parse the data.

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Close up of a custom optical HDMI cable on a desk

Let There Be Light: The Engineering Of Optical HDMI

February 18, 2025 by Heidi Ulrich 15 Comments

In a recent video, [Shahriar] from The Signal Path has unveiled the intricate design and architecture of optical HDMI cables, offering a cost-effective solution to extend HDMI 2.0 connections beyond the limitations of traditional copper links. This exploration is particularly captivating for those passionate about innovative hardware hacks and signal transmission technologies.

[Shahriar] begins by dissecting the fundamentals of HDMI high-speed data transmission, focusing on the Transition Minimized Differential Signaling (TMDS) standard. He then transitions to the challenges of converting from twisted-pair copper to optical lanes, emphasizing the pivotal roles of Vertical-Cavity Surface-Emitting Lasers (VCSELs) and PIN photodiodes. These components are essential for transforming electrical signals into optical ones and vice versa, enabling data transmission over greater distances without significant signal degradation.

A standout aspect of this teardown is the detailed examination of the optical modules, highlighting the use of free-space optics and optical confinement techniques with lasers and detectors. [Shahriar] captures the eye diagram of the received high-speed lane and confirms the VCSELs’ optical wavelength at 850 nm. Additionally, he provides a microscopic inspection of the TX and RX chips, revealing the intricate VCSEL and photodetector arrays. His thorough analysis offers invaluable insights into the electronic architecture of optical HDMI cables, shedding light on the complexities of signal integrity and the innovative solutions employed to overcome them.

For enthusiasts eager to take a deeper look into the nuances of optical HDMI technology, [Shahriar]’s comprehensive teardown serves as an excellent resource. It not only gives an insight in the components and design choices involved, but also inspires further exploration into enhancing data transmission methods.

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A Waist Level Viewfinder For Not A Lot

January 26, 2025 by Jenny List 8 Comments

Photographic accessories are often plagued by high prices, as photography is considered a rich man’s game. It doesn’t have to be that way though, and [Snappiness] is here to get you started on the route to cheaper kit with a waist-level viewfinder project.

If you’ve used a twin-lens reflex camera then you should be familiar with a waist level viewfinder, it’s a lens and mirror arrangement allowing the photographer to frame the shot looking down from above. Modern cameras often have no viewfinder, so this is aimed at digital compacts without flip-up screens.

It has three components, all available for relatively low prices, and mounted in a 3D printed case. There’s a prime lens, a mirror, and a Fresnel lens forming the part the photographer looks through. It’s a simple device, but still one which would cost a lot more off the shelf. The video is below the break.

It might interest you to know that this is not the first viewfinder project we’ve brought you for digital cameras.

Continue reading “A Waist Level Viewfinder For Not A Lot” →