The advent of the mobile phone camera has caused a revolution in film making over the last couple of decades, lowering the barrier to entry significantly, and as the cameras have improved, delivering near-professional-grade quality in some cases. Mobile phone manufacturers hire film makers to promote their new flagship models and the results are very impressive, but there is still a limitation when it comes to the lenses. [Evan Monsma] has broken through that barrier, modifying an iPhone to take C-mount cinema lenses.

It’s likely many of us have one or two broken mobile phones around, and even if they aren’t flagship models they’ll still have surprisingly good camera sensors. This one is an iPhone that’s seen better days, with a severely cracked glass back and a dislodged lens cover on one of its cameras. Removing the back and the lens cover reveals the sensor. The video below the break has a lot of woodwork and filing away of the phone, as he modifies a C-to-CS ring to serve as a C-mount. In reality the flange distance makes it a CS mount so his C-mount lenses need an adapter, but as anyone who’s used a Raspberry Pi camera will tell you, that’s no hardship.

The final camera has a thick plywood back with a tripod mount installed, the other two cameras work with their Apple lenses, and the C-mount gives great results with a cinema lens. We’re concerned that the Super Glue he uses to fix it all together might not hold up to the weight of bigger lenses, but we’re here for this project and we love it.

Thanks [Luis Mercado] for the tip.

Switching power supplies are familiar to Hackaday readers, whether they have a fairly conventional transformer, are a buck, a boost, or a flyback design. There’s nearly always an inductor involved, whose rapid change in magnetic flux is harnessed to do voltage magic. [Craig D] has made a switching voltage booster that doesn’t use an inductor, instead it’s using a length of conductor, and no, it’s not using the inductance of that conductor as a store of magnetic flux.

Instead it’s making clever use of reflected short pulses in a transmission line for its operation. Electronics students learn all about this in an experiment in which they fire pulses down a length of coax cable and observe their reflections on an oscilloscope, and his circuit is very similar but with careful selection of pulse timing. The idea is that instead of reflected pulses canceling out, they arrive back at the start of the conductor just in time to meet a pulse transition. This causes them to add rather than subtract, and the resulting higher voltage pulse sets off down the conductor again to repeat the process. We can understand the description, but this is evidently one to sit down at the bench and experiment with to fully get to grips with.

[Craig]’s conductor is an alternative to a long coil of coax, a home made delay line of the type once found in the luminance circuit of some color TVs. It’s a coaxial cable in which the outer is formed of a tightly wound coil rather than a solid tube. With it and a high-speed gate driver he can light a couple of neon bulbs, a significant step-up, we think. We’re trying to work out which component is being abused here (other than the gate driver chip he blows) as the conductor is simply performing its natural function. Either way it’s a clever and unexpected circuit, and if it works, we like it.

This project is part of the Hackaday Component Abuse Challenge, in which competitors take humble parts and push them into applications they were never intended for. You still have time to submit your own work, so give it a go!

The function of an LED is to emit light when the device is forward biased within its operating range, and it’s known by most people that an LED can also operate as a photodiode. Perhaps some readers are also aware that a reverse biased LED also has a significant capacitance, to the extent that they can be used in some RF circuits in the place of a varicap diode. But how do those two unintentional properties of an LED collide? As it turns out, an LED can also behave as a light dependent capacitor. [Bornach] has done just that, and created a light dependent sawtooth oscillator.

The idea is simple enough, there is a capacitance between the two sides of the depletion zone in a reverse biased diode, and since an LED is designed such that its junction is exposed to the external light, any photons which hit it will change the charge on the junction. Since the size of the depletion zone and thus the capacitance is dependent on the voltage and thus the charge, incoming light can thus change the capacitance.

The circuit is a straightforward enough sawtooth oscillator using an op-amp with a diode in its feedback loop, but where we might expect to find a capacitor to ground on the input, we find our reverse biased LED. The video below the break shows it in operation, and it certainly works. There’s an interesting point here in that and LED in this mode is suggested as an alternative to a cadmium sulphide LDR, and it’s certainly quicker responding. We feel duty bound to remind readers that using the LED as a photodiode instead is likely to be a bit simpler.

This project is part of the Hackaday Component Abuse Challenge, in which competitors take humble parts and push them into applications they were never intended for. You still have time to submit your own work, so give it a go!

Every now and then in histories of the 20th’s century’s earlier years, you will see pictures of cars and commercial vehicles equipped with bulky drums, contraptions to make their fuel from waste wood. These are portable gas generators known as gasifiers, and to show how they work there’s [Greenhill Forge] with a build video.

When you burn a piece of wood, you expect to see flame. But what you are looking at in that flame are the gaseous products of the wood breaking down under the heat of combustion. The gasifier carefully regulates a burn to avoid that final flame, with the flammable gasses instead being drawn off for use as fuel.

The chemistry is straightforward enough, with exothermic combustion producing heat, water vapour, and carbon dioxide, before a further endothermic reduction stage produces carbon monoxide and hydrogen. He’s running his system from charcoal which is close to pure carbon presumably to avoid dealing with tar, and at this stage he’s not adding any steam, so we’re a little mystified as to where the hydrogen comes from unless there is enough water vapour in the air.

His retort is fabricated from sheets steel, and is followed by a cyclone and a filter drum to remove particulates from the gas. It relies on a forced air draft from a fan or a small internal combustion engine, and we’re surprised both how quickly it ignites and how relatively low a temperature the output gas settles at. The engine runs with a surprisingly simple gas mixer in place of a carburetor, and seems to be quite smooth in operation.

This is one of those devices that has fascinated us for a long time, and we’re grateful for the chance to see it up close. The video is below the break, and we’re promised a series of follow-ups as the design is refined.

It’s no secret that here at Hackaday we’ve at times been tempted to poke fun at the world of audiophiles, a place where engineering sometimes takes second place to outright silliness. But when a high quality audio project comes along that brings some serious engineering to the table we’re all there for it, so when we saw [Slyka] had published the files for their open source record lathe, we knew it had to be time to bring it to you.

Truth be told we’ve been following this project for quite a while as they present tantalizing glimpses of it on social media, so while as they observe, documentation is hard, it should still be enough for anyone willing to try cutting their own recordings to get started. There’s the lathe itself, the controller, the software, and a tool for mapping EQ curves. It cuts in polycarbonate, though sadly there doesn’t seem to be a sound sample online for us to judge.

If you’re hungry for more this certainly isn’t the first record lathe we’ve brought you, and meanwhile we’ve gone a little deeper into the mystique surrounding vinyl.

When we think of a motor controller it’s usual to imagine power electronics, and a consequent dent in the wallet when it’s time to order the parts. But that doesn’t always have to be the case, as it turns out that there are many ways to control a motor. [Bram] did it with a surprising part, a 74ACT139 dual 4-line demultiplexer.

A motor controller is little more than a set of switches between the supply rails and the motor terminals, and thus how it performs depends on a few factors such as how fast it can be switched, how much current it can pass, and how susceptible it is to any back EMF or other electrical junk produced by the motor.

In this particular application the motor was a tiny component in a BEAM robot, so the unexpected TTL motor controller could handle it. The original hack was done a few decades ago and it appears to have become a popular hack in the BEAM community.

This project is part of the Hackaday Component Abuse Challenge, in which competitors take humble parts and push them into applications they were never intended for. You still have time to submit your own work, so give it a go!

Any radio amateur will tell you about the spectre of TVI, of their transmissions being inadvertently demodulated by the smallest of non-linearity in the neighbouring antenna systems, and spewing forth from the speakers of all and sundry. It’s very much a thing that the most unlikely of circuits can function as radio receivers, but… teeth? [Ringway Manchester] investigates tales of musical dental work.

Going through a series of news reports over the decades, including one of Lucille Ball uncovering a hidden Japanese spy transmitter, it’s something all experts who have looked at the issue have concluded there is little evidence for. It was also investigated by Mythbusters. But it’s an alluring tale, so is it entirely fabricated? What we can say is that teeth are sensitive to sound, not in themselves, but because the jaw provides a good path bringing vibrations to the region of the ear. And it’s certainly possible that the active chemical environment surrounding a metal filling in a patient’s mouth could give rise to electrical non-linearities. But could a human body in an ordinary RF environment act as a good enough antenna to provide enough energy for something to happen? We have our doubts.

It’s a perennial story (even in fiction), though, and we’re guessing that proof will come over the coming decades. If the tales of dental music and DJs continue after AM (or Long Wave in Europe) transmissions have been turned off, then it’s likely they’re more in the mind than in the mouth. If not, then we might have missed a radio phenomenon. The video is below the break.

Dental orthopantomogram: Temehetmebmk, CC BY-SA 4.0.